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Vsevolod Kryukov
Vsevolod Kryukov

Rob Papen Predator 3: The Ultimate Hybrid Synth Plugin for Modern Music




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Rob Papen Predator: A Legendary Synthesizer Plugin




If you are looking for a synthesizer plugin that can create a wide range of sounds for any kind of music production, you might have heard of Rob Papen Predator. This is a virtual instrument that has been around for more than a decade, and has inspired many artists and composers with its powerful features and stunning sound.




Rob papen predator torrent



But what exactly is Rob Papen Predator? Why is it so popular among musicians and producers? And what are its main features that make it stand out from the other synth plugins on the market?


In this article, we will answer these questions and more. We will explore the history of Rob Papen Predator, its benefits and drawbacks, and its alternatives. We will also give you our honest opinion on whether Rob Papen Predator is worth your money and time. By the end of this article, you will have a clear idea of what Rob Papen Predator can do for you and your music.


The History of Rob Papen Predator




Rob Papen Predator is a product of Rob Papen, a Dutch sound designer and software developer who has been creating synthesizers and effects plugins since the early 2000s. Rob Papen is known for his innovative and high-quality products, such as Blue, SubBoomBass, RP-Verb, and Blade. He has also collaborated with other companies, such as LinPlug and Propellerhead, to create plugins like Albino and Thor.


Predator was first released in 2007 as a hybrid synthesizer plugin that combined analog and wavetable sounds with a user-friendly interface and a massive library of presets. It was designed to be a versatile and powerful synth that could create any kind of sound, from classic to modern, from simple to complex. Predator quickly became one of the most popular synth plugins on the market, and received rave reviews from users and critics alike.


Since then, Predator has been updated several times, adding new features, presets, and improvements. In 2016, Predator 2 was released, which introduced a new interface, new waveforms, new filters, new modulation options, new effects, and more. Predator 2 was also compatible with NKS (Native Kontrol Standard), which allowed it to be integrated with Native Instruments hardware controllers.


In 2021, Predator 3 was released, which was a major overhaul of the plugin. Predator 3 featured a redesigned interface that was more modern and streamlined, new features such as wavetable scanning and morphing, new presets that covered various music styles and genres, new effects such as reverb and delay, and more. Predator 3 also improved the sound quality and performance of the plugin, making it more efficient and realistic.


Predator 1: The Original Killer Synth




Predator 1 was the first version of the plugin that started it all. It was a hybrid synthesizer that combined subtractive synthesis with wavetable synthesis. It had three oscillators that could generate analog or wavetable waveforms, two filters that could be configured in serial or parallel mode, an amplifier envelope, two free envelopes, two LFOs, an X/Y modulation pad, an arpeggiator/sequencer, an effects section with distortion, chorus/flanger/phaser/delay/reverb/vocoder/audio follower input/eq/filter/wahwah/compressor/limiter/enhancer/stereo widener/stereo delay/stereo reverb effects (yes, that's a lot of effects), and a preset manager that offered over 4,400 presets in various categories and styles.


Predator 1 was praised for its sound quality, versatility, and ease of use. It could create anything from warm and fat analog sounds to crisp and digital wavetable sounds, from simple and clean tones to complex and distorted noises, from realistic and organic instruments to futuristic and synthetic sounds. It was also very intuitive and fun to use, with all the controls visible on the interface, and a lot of options to tweak and modulate the sound. It was a synth that could suit any kind of music production, from EDM to pop, from rock to hip hop, from ambient to cinematic.


Predator 2: The Improved Successor




Predator 2 was the second version of the plugin that improved on the original in many ways. It was still a hybrid synthesizer that combined subtractive synthesis with wavetable synthesis, but it added a lot of new features and enhancements. It had four oscillators that could generate analog or wavetable waveforms, with new waveforms such as additive, spectral, and classic waves, two filters that could be configured in serial or parallel mode, with new filter types such as comb, formant, ring modulator, and more, an amplifier envelope, four free envelopes, four LFOs, an X/Y modulation pad with record function, an arpeggiator/sequencer with advanced options such as ratcheting, chord mode, swing mode, and more, an effects section with distortion/lo-fi/bit crusher/sample rate reducer/chorus/flanger/phaser/delay/reverb/vocoder/audio follower input/eq/filter/wahwah/compressor/limiter/enhancer/stereo widener/stereo delay/stereo reverb effects (some of them improved or added), and a preset manager that offered over 6,000 presets in various categories and styles.


Predator 2 was also compatible with NKS (Native Kontrol Standard), which allowed it to be integrated with Native Instruments hardware controllers such as Komplete Kontrol keyboards and Maschine pads. This gave users more control and expression over the synth parameters and presets.


Predator 2 was also acclaimed for its sound quality, versatility, and ease of use. It could create even more diverse and rich sounds than Predator 1, with more waveforms, filters, modulation sources and destinations, effects, and presets. It was also very intuitive and fun to use, with a similar interface as Predator 1, but more streamlined and organized. It was a synth that could suit any kind of music production, from EDM to pop, from rock to hip hop, from ambient to cinematic.



Predator 3: The Latest Evolution




Predator 3 was the third and latest version of the plugin that was a major overhaul of the previous versions. It was still a hybrid synthesizer that combined subtractive synthesis with wavetable synthesis, but it had a completely redesigned interface that was more modern and sleek, new features such as wavetable scanning and morphing, new presets that covered various music styles and genres, new effects such as reverb and delay, and more. It also improved the sound quality and performance of the plugin, making it more efficient and realistic.


Predator 3 had four oscillators that could generate analog or wavetable waveforms, with new waveforms such as FM, sync, phase distortion, and more, two filters that could be configured in serial or parallel mode, with new filter types such as ladder, zero delay feedback, and more, an amplifier envelope, four free envelopes, four LFOs, an X/Y modulation pad with record function and morphing option, an arpeggiator/sequencer with advanced options such as ratcheting, chord mode, swing mode, and more, an effects section with distortion/lo-fi/bit crusher/sample rate reducer/chorus/flanger/phaser/delay/reverb/vocoder/audio follower input/eq/filter/wahwah/compressor/limiter/enhancer/stereo widener/stereo delay/stereo reverb effects (some of them improved or added), and a preset manager that offered over 6,500 presets in various categories and styles.


Predator 3 also had a new feature called wavetable scanning and morphing, which allowed users to scan through the wavetables of the oscillators and morph between them smoothly. This created unique and evolving sounds that were not possible with the previous versions. Predator 3 also had a new feature called unison detune spread, which allowed users to detune the unison voices of the oscillators in different ways. This created thicker and richer sounds that were not possible with the previous versions.


Predator 3 was also compatible with NKS (Native Kontrol Standard), which allowed it to be integrated with Native Instruments hardware controllers such as Komplete Kontrol keyboards and Maschine pads. This gave users more control and expression over the synth parameters and presets.


Predator 3 was also praised for its sound quality, versatility, and ease of use. It could create even more diverse and rich sounds than Predator 2, with more waveforms, filters, modulation sources and destinations, effects, and presets. It was also very intuitive and fun to use, with a new interface that was more modern and sleek. It was a synth that could suit any kind of music production, from EDM to pop, from rock to hip hop, from ambient to cinematic.



The Benefits of Rob Papen Predator




Now that we have seen the history and the features of Rob Papen Predator, let's talk about the benefits of using this synth plugin. Why should you choose Predator over other synth plugins? What makes it a versatile, powerful, and easy-to-use synth for contemporary music production? Here are some of the benefits of Rob Papen Predator:


A Hybrid Synthesizer with Analog and Wavetable Sounds




One of the main benefits of Rob Papen Predator is that it is a hybrid synthesizer that combines analog and wavetable sounds. This means that you can create a wide range of sounds with Predator, from warm and fat analog sounds to crisp and digital wavetable sounds, and everything in between. You can also mix and match different waveforms from different synthesis methods, such as subtractive, additive, spectral, FM, sync, phase distortion, and more. This gives you a lot of sonic possibilities and flexibility with Predator.


A User-Friendly Interface with All Controls Visible




Another benefit of Rob Papen Predator is that it has a user-friendly interface with all the controls visible on the screen. You don't have to navigate through menus or submenus to access the synth parameters or presets. You can see everything at a glance and tweak the sound easily and intuitively. You can also resize the interface to fit your screen size and preference. Predator's interface is designed to make it fun and enjoyable to use, without compromising on functionality or quality.


A Massive Library of Presets in Various Music Styles




A third benefit of Rob Papen Predator is that it has a massive library of presets in various music styles and genres. You can choose from over 6,500 professionally-created presets that cover different categories such as bass, lead, pad, pluck, keys, drums, percussion, FX, vocals, sequences, arpeggios, chords, and more. You can also browse the presets by music style such as EDM, pop, rock, hip hop, ambient, cinematic, and more. You can also create your own presets and save them for later use. Predator's presets are a great way to get inspired and start making music quickly and easily.



A Flexible Modulation System with X/Y Pad and Multi-Envelopes




A fourth benefit of Rob Papen Predator is that it has a flexible modulation system with an X/Y pad and multi-envelopes. You can modulate any synth parameter with various sources and destinations, such as envelopes, LFOs, velocity, aftertouch, mod wheel, pitch bend, MIDI CC, and more. You can also use the X/Y pad to control two parameters at once with your mouse or touch screen, and record your movements for playback. You can also use the multi-envelopes to create complex and custom modulation shapes that can be looped, synced, or triggered. Predator's modulation system allows you to create expressive and dynamic sounds that respond to your playing style and musical context.


A Comprehensive Effects Section with Vocoder and Audio Follower Input




A fifth benefit of Rob Papen Predator is that it has a comprehensive effects section with a vocoder and an audio follower input. You can enhance the sound of Predator with high-quality effects such as distortion, lo-fi, bit crusher, sample rate reducer, chorus, flanger, phaser, delay, reverb, EQ, filter, wahwah, compressor, limiter, enhancer, stereo widener, stereo delay, and stereo reverb. You can also use the vocoder to create robotic and vocal sounds by using Predator's oscillators as the carrier and an external audio signal as the modulator. You can also use the audio follower input to control any synth parameter with an external audio signal. Predator's effects section allows you to add more character and depth to your sounds and make them more interesting and unique.


A Versatile Arpeggiator with Multiple Modes and Ratcheting




A sixth benefit of Rob Papen Predator is that it has a versatile arpeggiator with multiple modes and ratcheting. You can create complex and rhythmic patterns with Predator's arpeggiator by using different modes such as up, down, up/down, random, chord, order played, order sync played, order sync played 2x/4x/8x/16x/32x/64x/128x/256x/512x/1024x/2048x/4096x/8192x/16384x/32768x/65536x (yes, that's a lot of modes), and different options such as octave range, note length, swing, slide, velocity, and more. You can also use the ratcheting feature to repeat notes within a step with different rates and accents. Predator's arpeggiator allows you to create catchy and groovy melodies and sequences that can spice up your music.


The Drawbacks of Rob Papen Predator




As we have seen, Rob Papen Predator has many benefits that make it a great synth plugin for contemporary music production. However, it is not perfect, and it also has some drawbacks that you should be aware of before you decide to buy it. Here are some of the drawbacks of Rob Papen Predator:


A High Price Tag Compared to Other Synth Plugins




One of the drawbacks of Rob Papen Predator is that it has a high price tag compared to other synth plugins on the market. Predator 3 costs $149 USD, which is more expensive than some of its competitors, such as Serum ($189 USD), Massive X ($199 USD), or Pigments ($199 USD). Of course, price is not the only factor to consider when choosing a synth plugin, and Predator 3 offers a lot of value for its price, but it is still something to keep in mind if you are on a tight budget or looking for a bargain.


A Dated Interface Compared to Modern Synth Plugins




Another drawback of Rob Papen Predator is that it has a dated interface compared to modern synth plugins. Even though Predator 3 has a redesigned interface that is more modern and sleek than the previous versions, it still looks old-fashioned and cluttered compared to some newer synth plugins, such as Serum, Massive X, or Pigments. The interface of Predator 3 is also not very customizable, and you cannot change the color scheme, the font size, or the layout of the controls. The interface of Predator 3 is not bad, and it is still functional and intuitive, but it is not very appealing or inspiring compared to some other synth plugins.


A Lack of Some Features Found in Other Synth Plugins




A third drawback of Rob Papen Predator is that it lacks some features that are found in other synth plugins. For example, Predator 3 does not allow you to create or edit your own wavetables, which is something that Serum, Massive X, and Pigments can do. Predator 3 also does not support MPE (MIDI Polyphonic Expression), which is a new standard that allows you to control multiple parameters of each note individually with compatible controllers, such as ROLI Seaboard or LinnStrument. Predator 3 also does not have granular synthesis, which is a technique that allows you to manipulate audio samples in creative ways by breaking them down into small grains and modulating them. Predator 3 is still a very capable and feature-rich synth plugin, but it does not have some of the cutting-edge features that some other synth plugins have.


filters, three envelopes, three LFOs, a modulation matrix, a sequencer, an effects section with 11 effects, and a preset manager with over 600 presets. Pigments is known for its creative and colorful sound, its hybrid and flexible synthesis engine, and its intuitive and customizable interface. Pigments costs $199 USD, and you can learn more about it here:


Conclusion: Is Rob Papen Predator Worth It?




In conclusion, Rob Papen Predator is a legendary synthesizer plugin that has been around for more than a decade, and has evolved over the years. It is a hybrid synthesizer that combines analog and wavetable sounds, with a user-friendly interface and a massive library of presets. It is a versatile, powerful, and easy-to-use synth that can create a wide range of sounds for any kind of music production.


However, Rob Papen Predator also has some drawbacks that you should be aware of before you buy it. It has a high price tag compared to other synth plugins, it has a dated interface compared to modern synth plugins, and it lacks some features that are found in other synth plugins. It is not a perfect synth plugin, and it may not suit everyone's needs or preferences.


Therefore, our recommendation is to try Rob Papen Predator before you buy it. You can download a free trial version of Predator 3 from the official website here: . You can use the trial version for 30 days without any limitations or restrictions. You can test the sound quality, the features, the presets, and the interface of Predator 3, and see if you like it or not. You can also compare it with other synth plugins that you may already have or want to try.


If you decide that Rob Papen Predator is the synth plugin for you, then you can buy it from the official website or from authorized dealers. You can also get Predator 3 as part of the Rob Papen eXplorer 7 bundle, which includes 25 other plugins from Rob Papen for $499 USD. You can learn more about the eXplorer 7 bundle here:


If you decide that Rob Papen Predator is not the synth plugin for you, then you can look for other alternatives that may suit your needs or preferences better. You can check out some of the alternatives that we mentioned above, such as Serum, Massive X, or Pigments, or you can search for other synth plugins on the market.


Whatever you decide, we hope that this article has helped you to learn more about Rob Papen Predator and what it can do for you and your music. We hope that you have enjoyed reading this article as much as we have enjoyed writing it. Thank you for your time and attention.


FAQs: Frequently Asked Questions About Rob Papen Predator




Here are some of the frequently asked questions and answers about Rob Papen Predator:


  • Q: What are the system requirements for Rob Papen Predator?



  • A: Rob Papen Predator is available for Windows (32/64 bit) and Mac OS X (64 bit) platforms. It supports VST2, VST3, AU, AAX (Pro Tools), NKS (Native Instruments), and Standalone formats. It requires at least 4 GB of RAM and 1 GB of free disk space.



  • Q: How do I install and activate Rob Papen Predator?



A: You can download the installer file from the official website or from your dealer'


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